{"id":15393,"date":"2026-09-15T10:31:38","date_gmt":"2026-09-15T08:31:38","guid":{"rendered":"https:\/\/blog.abbahoteles.com\/2026\/09\/trames-geometries-et-geographies-textiles-a-lhotel-rural-abba-las-vinas-tiedra\/"},"modified":"2026-09-15T10:31:38","modified_gmt":"2026-09-15T08:31:38","slug":"trames-geometries-et-geographies-textiles-a-lhotel-rural-abba-las-vinas-tiedra","status":"publish","type":"post","link":"https:\/\/blog.abbahoteles.com\/fr\/2026\/09\/trames-geometries-et-geographies-textiles-a-lhotel-rural-abba-las-vinas-tiedra\/","title":{"rendered":"TRAMES : G\u00c9OM\u00c9TRIES ET G\u00c9OGRAPHIES TEXTILES \u00e0 l’h\u00f4tel rural abba Las Vi\u00f1as Tiedra"},"content":{"rendered":"

L’h\u00f4tel rural \u00ab abba Las Vi\u00f1as Tiedra \u00bb accueille \u00ab Tramas : g\u00e9om\u00e9tries et g\u00e9ographies textiles<\/em> \u00bb, une exposition organis\u00e9e par le collectif Aluna qui rassemble des \u0153uvres d’artistes espagnols, allemands et de diff\u00e9rents pays d’Am\u00e9rique, autour du textile et de ses relations avec la g\u00e9om\u00e9trie, le territoire et la m\u00e9moire.<\/strong><\/p>\n

La g\u00e9om\u00e9trie et la g\u00e9ographie partagent une m\u00eame racine grecque, \u00ab g\u00ea<\/em> \u00bb, qui signifie \u00ab terre \u00bb. La premi\u00e8re fait r\u00e9f\u00e9rence \u00e0 sa mesure et la seconde \u00e0 sa repr\u00e9sentation. \u00c0 celles-ci s\u2019ajoute le concept de \u00ab textile \u00bb, issu du latin texere<\/em>, \u00ab tisser \u00bb ou \u00ab construire en assemblant des \u00e9l\u00e9ments \u00bb. Trois termes qui s\u2019entrem\u00ealent dans cette exposition pour explorer la mani\u00e8re dont l\u2019art peut relier paysage, tradition et contemporan\u00e9it\u00e9. <\/p>\n

L’exposition s’inspire de Tiedra et<\/strong> de son environnement<\/strong>, de ses paysages et des savoirs transmis de g\u00e9n\u00e9ration en g\u00e9n\u00e9ration, mais elle englobe \u00e9galement des explorations conceptuelles du textile contemporain. Les techniques textiles traditionnelles de la r\u00e9gion s\u2019expriment en dialogue avec l\u2019\u0153uvre d\u2019artistes nationaux et internationaux qui adoptent une approche multidisciplinaire, utilisant divers mat\u00e9riaux et s\u2019inspirant de l\u2019h\u00e9ritage d\u2019autres territoires. <\/p>\n

Parmi les \u0153uvres expos\u00e9es figure un ensemble de cr\u00e9ations de l\u2019artiste originaire de Zamora, \u00c1ngela \u00c1lvarez<\/strong>, qui perp\u00e9tue la tradition des techniques r\u00e9gionales de tissage sur m\u00e9tiers \u00e0 haute lisse. Depuis la fin des ann\u00e9es 50, cette ma\u00eetre artisan du textile perp\u00e9tue cette tradition et exp\u00e9rimente des teintures naturelles ainsi que des textures issues de la combinaison de diff\u00e9rents mat\u00e9riaux. <\/p>\n

Manuela \u00c1lvarez<\/strong>, originaire de Tiedra, dont la passion pour la broderie et la couture se refl\u00e8te dans une \u0153uvre g\u00e9om\u00e9trique en trois dimensions, cousue \u00e0 la main sur du tissu, qui \u00e9voque une s\u00e9rie de panneaux qu\u2019elle a ing\u00e9nieusement cr\u00e9\u00e9s il y a plusieurs ann\u00e9es en mettant \u00e0 profit le savoir-faire artisanal de la r\u00e9gion pour insonoriser un espace de r\u00e9union communautaire.<\/p>\n

Le lien entre tradition et cr\u00e9ation contemporaine transpara\u00eet dans l\u2019\u0153uvre de Sonia Navarro<\/strong>, qui transforme des activit\u00e9s traditionnellement associ\u00e9es au travail f\u00e9minin, telles que la couture, la cr\u00e9ation de patrons et l\u2019assemblage de v\u00eatements, en un langage d\u2019abstraction g\u00e9om\u00e9trique. Dans \u00ab Gonfalinero 3<\/em> \u00bb, la r\u00e9f\u00e9rence \u00e0 un ancien v\u00eatement li\u00e9 aux banni\u00e8res port\u00e9es par les hommes devient \u00e9galement un hommage \u00e0 l\u2019acte de coudre, presque toujours f\u00e9minin. <\/p>\n

L’artiste d’origine argentine Cristina Ghetti<\/strong> propose une g\u00e9om\u00e9trie douce \u00e0 travers des installations en feutre et des tissus pli\u00e9s et superpos\u00e9s, int\u00e9grant des r\u00e9f\u00e9rences \u00e0 des traditions culturelles aussi diverses que l’utilisation rituelle de motifs dans les textiles traditionnels japonais et le constructivisme latino-am\u00e9ricain. Dans sa s\u00e9rie \u00ab Ninjas \u00bb<\/em>, elle redonne un sens \u00e0 des mat\u00e9riaux traditionnellement associ\u00e9s au domaine domestique et artisanal, et les transpose dans le domaine de l\u2019abstraction g\u00e9om\u00e9trique, faisant ainsi r\u00e9f\u00e9rence \u00e0 la lign\u00e9e des femmes qui ont contribu\u00e9 \u00e0 l\u2019histoire de l\u2019abstraction. <\/p>\n

Certains artistes explorent les fronti\u00e8res entre le textile et d\u2019autres disciplines. Patricia Calero<\/strong> utilise des ceintures de s\u00e9curit\u00e9 industrielles pour cr\u00e9er des compositions g\u00e9om\u00e9triques s\u2019inscrivant dans la tradition de l\u2019art cin\u00e9tique v\u00e9n\u00e9zu\u00e9lien et de l\u2019origami. Ignacio \u00cd\u00f1igo<\/strong>, quant \u00e0 lui, expose des \u0153uvres tridimensionnelles r\u00e9alis\u00e9es uniquement \u00e0 l\u2019aide de peinture acrylique, de sorte qu\u2019elles ressemblent \u00e0 des tissus pli\u00e9s ou froiss\u00e9s ; mais, d\u00e9pourvues de support, elles remettent en question la nature m\u00eame de la peinture et sa relation avec les modes de repr\u00e9sentation.<\/p>\n

Dans l\u2019\u0153uvre de FOD (Francisco Olivares D\u00edaz)<\/strong>, un dialogue s\u2019instaure entre la peinture et l\u2019architecture. Des lignes, des formes g\u00e9om\u00e9triques, des tubes et des supports sortent du plan pictural pour occuper l\u2019espace. Un triptyque sans titre, expos\u00e9 en hommage \u00e0 l\u2019architecte italien Carlo Scarpa, int\u00e8gre le verso de l\u2019\u0153uvre dans le cadre d\u2019installations qui modifient notre perception de l\u2019art et de l\u2019architecture. <\/p>\n

Le paysage de Tiedra, source d’inspiration<\/strong><\/h4>\n

Le territoire est l\u2019un des autres grands protagonistes de \u00ab Tramas<\/em> \u00bb. Le paysage repr\u00e9sent\u00e9 sur les textiles nous montre qu\u2019il existe toujours une mani\u00e8re de voir, de comprendre et d\u2019entrer en relation avec notre environnement, marqu\u00e9e par la culture. Rivi\u00e8res, montagnes, chemins, parcelles agricoles et formes organiques s\u2019int\u00e8grent \u00e0 des g\u00e9om\u00e9tries vari\u00e9es dans le langage des diff\u00e9rents artistes participants. <\/p>\n

Alexandra Navas<\/strong>, d’origine colombienne, interpr\u00e8te le paysage de Tiedra \u00e0 travers un tissage r\u00e9alis\u00e9 \u00e0 la main sur un m\u00e9tier \u00e0 tisser \u00e0 haute lisse. Les formes g\u00e9om\u00e9triques \u00e9voquent le territoire et s’associent \u00e0 des espaces vides qui sugg\u00e8rent le mouvement et la transformation. <\/p>\n

De son c\u00f4t\u00e9, la V\u00e9n\u00e9zu\u00e9lienne Jacqueline Reis<\/strong> s’inspire de la m\u00e9moire familiale et de son lien avec diff\u00e9rents m\u00e9tiers du textile. Dans le prolongement de sa s\u00e9rie \u00ab Memoria crom\u00e1tica<\/em> \u00bb, elle recr\u00e9e ses impressions du paysage de Tiedra \u00e0 travers une palette de couleurs o\u00f9 la r\u00e9p\u00e9tition et la variation \u00e9voquent l\u2019atmosph\u00e8re de la r\u00e9gion. <\/p>\n

Le Br\u00e9silien Ded\u00e9 Lins<\/strong>, r\u00e9sidant \u00e0 Barcelone, puise son inspiration dans la g\u00e9om\u00e9trie et dans la relation entre l’art, le design et les diff\u00e9rents m\u00e9tiers. Pour cette exposition, il a cousu \u00e0 la main, pour la premi\u00e8re fois, une composition de formes organiques r\u00e9alis\u00e9e \u00e0 partir de morceaux de cuir d\u00e9coup\u00e9s. Plut\u00f4t que de s\u2019inspirer litt\u00e9ralement de la g\u00e9ographie, il transpose dans les mat\u00e9riaux utilis\u00e9s l\u2019\u00e9nergie d\u2019un paysage. <\/p>\n

Dans une approche plus abstraite, Rafael Montilla<\/strong> travaille avec une simple corde en fibres naturelles qui se courbe, s\u2019entrelace et se noue jusqu\u2019\u00e0 former une structure organique. Chaque vide d\u00e9pend des limites de la mati\u00e8re, faisant de l\u2019\u0153uvre une m\u00e9taphore de la relation, non seulement entre les habitants d\u2019un territoire et celui-ci, mais aussi entre l\u2019humanit\u00e9 et la nature.\u200b \u200bL\u2019Allemande Doro Seror<\/strong> int\u00e8gre dans son \u0153uvre abstraite des mat\u00e9riaux textiles d\u00e9j\u00e0 utilis\u00e9s et destin\u00e9s \u00e0 la destruction, dans une d\u00e9marche guid\u00e9e par le souci de pr\u00e9server ses ressources.<\/p>\n

L’exposition est compl\u00e9t\u00e9e par les \u0153uvres des Argentins Deborah Jafif<\/strong> et Guido Yanito<\/strong>, qui font \u00e9voluer le textile vers un univers plus imaginaire. Si, dans le cas de la premi\u00e8re, des fils de soie sur du velours noir, ou, dans le cas du second, des laines synth\u00e9tiques torsad\u00e9es, peuvent \u00e9voquer des r\u00e9f\u00e9rences naturelles, voire urbaines, sp\u00e9cifiques, leurs formes organiques se transforment en cartes mentales et en espaces ouverts \u00e0 l\u2019interpr\u00e9tation, nous rappelant que l\u2019imagination est elle aussi un territoire sans fronti\u00e8res. <\/p>\n

Par ailleurs, l\u2019exposition \u00ab Tramas : g\u00e9om\u00e9tries et g\u00e9ographies textiles<\/em> \u00bb int\u00e8gre des pi\u00e8ces textiles des Guaraos, un peuple autochtone v\u00e9n\u00e9zu\u00e9lien, gr\u00e2ce au travail de diffusion men\u00e9 par Artesano Group, \u00e9largissant ainsi, dans le temps et dans l\u2019espace, la vision des diff\u00e9rents savoirs et formes de cr\u00e9ation li\u00e9s \u00e0 l\u2019art textile mill\u00e9naire.<\/p>\n

Dans l’ensemble, l’exposition propose un parcours \u00e0 travers diff\u00e9rents territoires, diff\u00e9rentes g\u00e9n\u00e9rations et diff\u00e9rentes fa\u00e7ons d’appr\u00e9hender le textile. Le tricot, la couture, la broderie, le pliage ou le nouage ne sont plus seulement des techniques, mais deviennent un tissu de r\u00e9cits artistiques \u00e9troitement li\u00e9s \u00e0 la valorisation des savoir-faire et des m\u00e9tiers, ainsi qu\u2019\u00e0 leur influence sur l\u2019art contemporain.<\/strong><\/p>\n

\u00c0 l’h\u00f4tel rural abba Las Vi\u00f1as Tiedra<\/strong>, l’art s’int\u00e8gre \u00e0 l’environnement et fait de ce territoire lui-m\u00eame une partie int\u00e9grante de l’exp\u00e9rience, cr\u00e9ant ainsi un dialogue entre la tradition de Tiedra et les diff\u00e9rentes fa\u00e7ons d’appr\u00e9hender l’art textile aujourd’hui.<\/p>\n

 <\/p>\n

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L’h\u00f4tel rural \u00ab abba Las Vi\u00f1as Tiedra \u00bb accueille \u00ab Tramas : g\u00e9om\u00e9tries et g\u00e9ographies textiles \u00bb, une exposition organis\u00e9e par le collectif Aluna qui rassemble des \u0153uvres d’artistes espagnols, allemands et de diff\u00e9rents pays d’Am\u00e9rique, autour du textile et de ses relations avec la g\u00e9om\u00e9trie, le territoire et la m\u00e9moire. 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